History
WIK’UÑA, THE ORIGIN
Since time immemorial, the majestic Andes have witnessed the profound bond between the Vicuñas and humans. For the earliest communities, this was a divine species that acted as a link between mortals and gods, and towards which they felt deep respect. The development of these communities was favoured by advancements in textile-making, which was sophisticated with the use of plant fibres, and by the breeding of camelids, which led nomadic hunters and gatherers to settle in one place.
CREATURE OF THE GODS
Later, domesticated camelids were used in barter and cultural exchange with other societies, and the art of textiles was enriched with the delicate Vicuña fibre, which allowed for the creation of yarns, tapestries, and cloaks of astonishing beauty. The construction of religious ceremonial centres attracted pilgrims from across the Americas, and the Vicuña assumed a preeminent role as a divine species, revered and protected by all.
Pre-Columbian Cultures
Nazca
This culture thrived in the arid coasts of southern Peru, establishing a unique connection with the Vicuñas. Their innovative and avant-garde spirit was reflected in an artistic legacy of ceramics of unparalleled quality, which were highly valued throughout ancient Peru.
Wari
The Wari elevated the rich textile tradition of the Andes, creating elaborate weavings through which they paid homage to their gods. Among the most characteristic designs are snakes and felines (considered sacred animals) and mythical beings like the revered ‘Lord of the Staffs’.
On the other hand, their ceramics perfected the legacy of the Nazca and Tiahuanaco cultures, and through bioform and geometric motifs, they reflected the special relationship they had with the Vicuñas.
